In early March, Han Yang, a 50-year-old Sydney resident, was invited by a friend to join a WeChat group with other members of Australia’s Chinese diaspora that focused on Russia’s recent invasion of Ukraine. Yang found that the others began posting a stream of offensive material—stories filled with vitriol toward Ukrainians, Russian-state disinformation, and anti-Semitic conspiracy theories—accompanied by user comments cheering on Moscow’s violence.

In early March, Han Yang, a 50-year-old Sydney resident, was invited by a friend to join a WeChat group with other members of Australia’s Chinese diaspora that focused on Russia’s recent invasion of Ukraine. Yang found that the others began posting a stream of offensive material—stories filled with vitriol toward Ukrainians, Russian-state disinformation, and anti-Semitic conspiracy theories—accompanied by user comments cheering on Moscow’s violence.

So much music exists to provoke bold emotions—ecstasy, amazement, deep blues. Other music conjures pastel feelings, soft and in-between. For example, much of Harry Styles’s third album, Harry’s House, imparts the mild joy that one might get from completing a list of chores. Some songs spark the regret of failing to book the ideal dinner reservation. Over multiple listens, another sensation, like faint indigestion, may occur: concern.

A few years ago, heart surgery forced Ngũgĩ wa Thiong’o, the Kenyan writer and perennial Nobel shortlister, to give up driving. He misses it. He misses getting behind the wheel for a few hours with no end point in mind, randomly exploring the roads. “Like writing a story,” he said.So when I offered to visit and take him for an afternoon drive, he accepted.

The short story “Go, Team,” by Samantha Hunt, traces a series of conversations within a group of mothers after a woman disappears into the woods during a children’s soccer game. They aren’t sure if the vanished woman is a mom, though they wonder if she might be. But even when it’s only suspected, motherhood is such an all-consuming identity that the possibility suffuses every element of their discussion.

Each installment of “The Friendship Files” features a conversation between The Atlantic’s Julie Beck and two or more friends, exploring the history and significance of their relationship.This week she talks with two men who first met while doing national military service in Singapore. They didn’t talk much then. More than a year later, they reconnected online, took a hike together, and found that they clicked really quickly.