In February 2016, after exchanging email pleasantries with the left-wing public intellectual Noam Chomsky and extending an invitation to his private island, Jeffrey Epstein recommended an article. “On a different note, you have encouraged me to look at data, no holds barred,” Epstein wrote before linking to “Race and IQ: Genes That Predict Racial Intelligence Differences” from the Right Stuff, an openly white-supremacist website and a pioneer of the online alt-right.

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“I have nothing to hide. Absolutely nothing,” Commerce Secretary Howard Lutnick told a Senate committee yesterday. Perhaps that’s true—but given his recent history, don’t bet on it.

In 2021, just months after the first COVID vaccines debuted, concern was growing about an exceedingly rare but sometimes deadly outcome of certain shots. Two related vaccines—one from AstraZeneca and the other from Johnson & Johnson—were linked to dangerous blood clotting.
Out of almost 19 million doses of Johnson & Johnson’s version given in the United States during the first two years of the pandemic, at least 60 such cases were identified. Nine of them were fatal.

Stefano Rellandini / AFP / Getty
Austin Florian of Team USA begins a run at a skeleton men’s training session at Cortina Sliding Center, in Cortina d’Ampezzo, on February 11, 2026, during the 2026 Winter Olympic Games. Skeleton athletes, wearing spiked shoes, sprint for up to 100 feet at the beginning of a race, propelling themselves into a slide that can reach speeds of more than 90 miles per hour.

Updated with new questions at 3:45 p.m. ET on February 11, 2026.
You won’t find this in Cortina d’Ampezzo over the next few weeks, but for several decades of the Olympics’ history, the contest awarded medals not just for sport but for art too.
In the Summer Games from 1912 to 1948, musicians, painters, and plenty of other aesthetes went brain-to-brain in events such as lyric poetry and chamber music. “Town planning” was even contested one year under the umbrella of the architecture competition.