Why a 41-Year-Old Record About Fascism Matters Now
By 1979, Elvis Costello had established himself as an acerbic songwriter with a penchant for pungent turns of phrase, a sort of New Wave Bob Dylan. Critics adored his wordplay, and audiences made his first two records big hits. But when Costello delivered his third album, in January of that year, it was a reproach to anyone who thought they had figured out his shtick. Armed Forces represented a leap for the English singer and his band, the Attractions—a harmonic and sonic transformation.





























