Tom Stoppard Achieved the Impossible
“Writing a play,” Tom Stoppard told an interviewer in 1977, “is like smashing that ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start—or at least I start—with the rubble.”
In life, of course, this kind of reversal is impossible. As the physicist Valentine Coverley puts it in Stoppard’s masterpiece Arcadia, “You can’t run the film backwards. Heat was the first thing which didn’t work that way.
























