The idioms of a language—its jokes, expressions, and well-worn wordplay—are windows into its speakers’ values and points of view. In both French and English, certain phrases—métro, boulot, dodo (“commute, work, sleep”), for instance, or nose to the grindstone—reflect a shared assumption about labor: that work is drudgery, eating up time and hindering happiness.

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Know thyself is the most famous maxim of Greek philosophy, carved into stone on the Temple of Apollo at Delphi. Why? you might ask. The greatest philosophers and writers throughout history are more likely to tell you why not, so foundational is the idea of self-knowledge to a meaningful existence.

After Elon Musk made a public show of remedying an apparent error in DOGE’s massive cuts to foreign aid, the Trump administration has quietly doubled down on its decision to stop sending emergency food to millions of children who are starving in Bangladesh, Somalia, and other countries. Without urgent intervention, many of these children are likely to die within months, experts told me.

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Late last month, Jonathan Braun was arrested on allegations of shoving a 3-year-old, “causing a red mark on his back and substantial pain.” This is only his latest brush with the law over the past four years.

The manosphere is mentioned explicitly for only a few minutes in Adolescence, the wildly popular Netflix show about a 13-year-old boy accused of murdering his female classmate, Katie. Its influence on the withdrawn protagonist, Jamie (played by Owen Cooper), is largely implied. Yet Adolescence’s clear reckoning with the online world that’s shaped him has come to dominate reactions to the series.