We are a nation of under-doers and over-doers. Every time the government has issued COVID-19 guidance throughout the pandemic, one slice of America has ignored it, while another slice has followed it to the letter, and then some. The government says stay six feet apart? Some Americans scoffed, while others didn’t set foot inside a restaurant for a year. The CDC’s decision to let vaccinated people go unmasked is shaping up to be another such cleavage.

In the cats-versus-dogs debate, pop culture tends to skew in one direction. Many animated movies portray cats as manipulative and nefarious, and dogs as the (less canny) embodiments of loyalty and love. Cats also have a long association with the witchy and supernatural, underscoring their folkloric legacy as otherworldly beings. While some recent works have broadened depictions of felines, a new series from Netflix does the same for the humans who love them.

At a county health department near my hometown in rural Arkansas, almost everyone who comes in for a COVID-19 test is congested and short of breath, with a sore throat and muscle aches. They might have the flu, except for the added telltale symptom of this coronavirus: the loss of taste and smell. Many of the patients now are younger than those in previous months; a nurse who works there told me she saw two cases of young children in one day.

Kayla Fratt began preparing for her summer job in March, when a package of frozen bat carcasses arrived for her in the mail. Well, actually, the bats were for her border collies, Barley and Niffler, and it is really their summer job too. They needed to learn the scent of a dead bat, because they would be spending three months on wind farms, looking for bats killed by spinning turbines.