How Gossip Girl Got Creepy
The late Janet Malcolm, writing about the Gossip Girl novels for The New Yorker in 2008, delighted in the heartlessness of the teenage characters—their voyeuristic cruelty and the sharp satisfaction they take in the downfall of their peers. What the series understands, Malcolm wrote, is that “children are a pleasure-seeking species, and that adolescence is a delicious last gasp (the light is most golden just before the shadows fall) of rightful selfishness and cluelessness.