This article contains spoilers through the ninth episode of Succession Season 3.If the broad strokes of Succession season finales can feel familiar by now—Kendall will be emotionally wrecked, the org chart will shift, and people will sell their soul for the promise of power—the show always excels at the details. Like that of Kendall, at the end of Season 1, returning to a wedding after witnessing a drowning, dancing with his kids to a song by Whitney Houston.

Claudine Ebeid, who has spent her career shaping some of the most influential audio journalism and narrative podcasts, is coming to The Atlantic to lead audio as executive producer. The Atlantic is also announcing that Andrea Valdez is taking on a new role as a managing editor in the newsroom, having first joined the company earlier this year as senior vice president of audience strategy.

Sign up for Caleb’s newsletter here.In The Matrix, Morpheus, a cool bald guy wearing sunglasses and a black crocodile trench coat, offers Keanu Reeves (and, by extension, the audience) a choice. Morpheus has just shown us that the world we thought was real is merely a simulation, and that the actual real world is mired in an interminable, violent power struggle between robots and humans. He proffers two capsules, one in each hand (they are reflected in his tiny sunglass lenses).

Corner stores don’t look like much. Maybe the one nearest to you has dusty shelves lined with bags of chips and cookies, and the cashier sitting next to the cigarettes and mini–shampoo bottles only takes cash. In some places, these mom-and-pop shops are simple roadside stalls or kiosks. They have largely operated the same way for decades: Many still order their products over the phone and manage their books on paper.