Today's Liberal News

“Armed Only with a Camera”: Oscar-Nominated Doc Honors Brent Renaud and Other “Fallen Journalists”

We speak with filmmaker Craig Renaud, the director of Armed Only with a Camera: The Life and Death of Brent Renaud, an HBO documentary about his brother, photojournalist Brent Renaud, who was killed by Russian soldiers in Ukraine in 2022. March 13 marks the fourth anniversary of Brent’s death, and the film is both a tribute to him and “a bigger story about all the journalists who were being killed,” says Craig.

Insider Trading Is Going to Get People Killed

Ayatollah Ali Khamenei was not, it’s safe to assume, a devoted Polymarket user. If he had been, the Iranian leader might still be alive. Hours before Khamenei’s compound in Tehran was reduced to rubble last week, an account under the username “magamyman” bet about $20,000 that the supreme leader would no longer be in power by the end of March. Polymarket placed the odds at just 14 percent, netting “magamyman” a profit of more than $120,000.

What Are the Trump Administration’s Objectives in Iran?

Editor’s Note: Washington Week With The Atlantic is a partnership between NewsHour Productions, WETA, and The Atlantic airing every Friday on PBS stations nationwide. Check your local listings, watch full episodes here, or listen to the weekly podcast here.
After the U.S. and Israel launched a war with Iran, questions remain about the Trump administration’s objectives. Panelists on Washington Week With The Atlantic joined to discuss this, and more.

An Uncomfortable Emotion That’s Worth Feeling

This is an edition of The Wonder Reader, a newsletter in which our editors recommend a set of stories to spark your curiosity and fill you with delight. Sign up here to get it every Saturday morning.
“In 1989, at Dartmouth College, the poet and essayist Joseph Brodsky delivered what must be one of the strangest commencement addresses of all time,” Daniel Smith wrote recently. “Brodsky told the graduates that their lives would soon be claimed by the ‘incurable malaise’ of boredom.

Anthropic’s Ethical Stand Could Be Paying Off

At first glance, last week looked like a catastrophe for Anthropic.
The AI company refused to let the U.S. government use its products to surveil the American public or direct autonomous weapons without human oversight. In response, the Department of Defense canceled its $200 million contract. On Truth Social, President Trump called the company “leftwing nut jobs” and ordered every federal agency to immediately stop using its products.

“Armed Only with a Camera”: Oscar-Nominated Doc Honors Brent Renaud and Other “Fallen Journalists”

We speak with filmmaker Craig Renaud, the director of Armed Only with a Camera: The Life and Death of Brent Renaud, an HBO documentary about his brother, photojournalist Brent Renaud, who was killed by Russian soldiers in Ukraine in 2022. March 13 marks the fourth anniversary of Brent’s death, and the film is both a tribute to him and “a bigger story about all the journalists who were being killed,” says Craig.

Operational Excellence, Strategic Incompetence

The war in Iran has reaffirmed two truths. One is that the United States is blessed with the most professional and effective military in the world. The men and women of the American armed forces can conduct missions of almost any size with formidable competence, from special operations to seize a rogue-state president to a large-scale war. The other truth is that the Trump administration, when it comes to strategy, is incompetent.

OpenAI Is Opening the Door to Government Spying

Outside OpenAI’s headquarters, a handful of people gathered on Monday holding pieces of colorful chalk. They got down on their knees and started writing messages on the sidewalk. Stand for liberty. Please no legal mass surveillance. Change the contract please.
At issue was a business deal that the company recently signed with the Department of Defense, following the Pentagon’s sudden turn against Anthropic.

Why on Earth Did Maggie Gyllenhaal Make This Movie?

Monster movies come in strange bunches. Vampires dominated the screen in the 2010s, as gritty zombie hordes had the decade before that. Lately, we’re awash in Frankensteins, each adding stylized flavor to Mary Shelley’s novel: Zelda Williams’s goofy high-school version, Lisa Frankenstein; Yorgos Lanthimos’s steampunk reimagining, Poor Things; and Guillermo Del Toro’s faithful-to-a-fault take, currently up for nine Oscars.