This story contains some spoilers for all three seasons of Derry Girls.After three uproarious seasons, Derry Girls, a television show about four teenage girls and one teenage boy living in Northern Ireland during the Troubles, has ended.

Editor’s Note: Read Oliver Munday’s new short story “Getting Up.” “Getting Up” is a new story by Oliver Munday, an associate creative director for The Atlantic. To mark the story’s publication, Munday and Katherine Hu, an assistant editor for the magazine, discussed the story over email. Their conversation has been lightly edited for clarity.

“Steve.”There is a pause.“Steve.”The tiny voice is adamant, frustrated.“Steeeeeeeeve.”The man does not look up.“Steve. Steve. Steve,” she chants.It is early—always early.Carter, his daughter, laughs. “You’re Steve.”That his name is Haiden has ceased to matter. He would love, simply, to go by Dad, or Daddy, but since her third birthday weeks ago, Carter has been stubborn—or dedicated, depending on his vantage.

The first Harry Potter film initially depicts the night Harry learns he’s a wizard like a scene from a horror movie. Harry and the disagreeable Dursleys—his uncle, aunt, and cousin—have escaped to a cottage on a remote island, attempting to outrun the letters alerting Harry to his magic. But the messenger arrives anyway, in the form of a half-giant named Hagrid.

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.The final hearing of the House January 6 Committee made clear that a duly elected and sworn president of the United States tried to overthrow the constitutional order. When are we going to act on that knowledge?But first, here are three new stories from The Atlantic.

The new crew arrived at the International Space Station last week, all smiles and floating hair. There was, as usual, a little welcome ceremony, with heartfelt remarks from the newcomers streamed live for the people they left behind on Earth. A few of the astronauts floated above the others and turned upside down, hanging like bats, so that their beaming faces would fit into the frame.

About halfway into Park Chan-wook’s new film, Decision to Leave, a woman reaches into a man’s pocket to find a stick of lip balm. The two of them are alone, visiting a temple amid a downpour. She silently removes the cap, rolls the wheel to expose the tube, and applies it onto his chapped lips. He’s shocked at first, almost reluctant, but she smears away with quick, confident strokes. Then she smiles, as if to say, There. That’s better.

Earlier this week, John Fetterman sat down with NBC News for one of the defining television segments of the year. “Unlike any political interview I’ve ever done,” Dasha Burns, the NBC reporter who met with him, tweeted. Fetterman, the Democratic nominee for Senate in Pennsylvania, suffered a stroke in May. During this, his first on-camera interview since then, he relied on closed-captioning to process Burns’s questions.

For the first time in my adult life, there is a genuine sense of decay in Britain—a realization that something has been lost that will be difficult to recover, something more profound than pounds and pence, political personalities, or even prime ministers. Over the past three weeks, the U.K.