Good love stories are irresistible: They appear in almost every genre and culture, and are the subject of centuries of lore. Love in Color, the British Nigerian writer Bolu Babalola’s collection retelling myths from around the world, demonstrated just this last year. These stories persist because they carry healing and hope. Everyone can use the vicarious drama and swooping emotion a truly great romance brings, especially in these dark days.

Our universe is full of other worlds, orbiting their own suns. For most of human history, this was just an assumption, not a fact; astronomers could only peer through telescopes at distant stars and daydream about the planets that might be hiding in their glow. But then, about 30 years ago—quite recently, when you consider how long humans have been gazing at the skies—the cold, hard data appeared.

Lately, we’ve seen a proliferation of discussions about the end of work as we know it. In this third year of the coronavirus pandemic, Americans are burned out, quitting their jobs in record numbers, and reconsidering the place of work in their lives. According to pundits, the “Great Resignation” signals a new era: the end of ambition, the rise of anti-work sentiment, and the possibility that we’re entering a time when a job might just be a job.

At the height of her powers, Elizabeth Holmes, the founder of the fraudulent blood-testing start-up Theranos, basked in the kind of adulation typically reserved for cult leaders. In one upcoming episode from Hulu’s The Dropout, which dramatizes her saga, Elizabeth (played by Amanda Seyfried) perches on yet another stage, at yet another event about being a female CEO. Her every word scores cheers from the audience of college students, most of them young women.

One of the visual conceits of Phoenix Rising—a new two-part HBO documentary about the actor Evan Rachel Wood’s allegations of abuse at the hands of the rock musician Marilyn Manson—is a series of animated sequences that portray Wood as a cherubic, Alice-like doll and Manson as a macabre monster whose darkness infects and imprisons her. It’s a curiously heavy-handed choice, as though Wood’s raw testimony weren’t enough.