Bob Dylan Broke Rules. A Complete Unknown Follows Them.
The gift of Bob Dylan’s music is to make the world seem weirder, or rather to reveal the world to be as strange as it really is. He sings of life as a flow of jumbled-up signs and sensations, some real and some not, carrying meaning beyond words. Even at his most strident, he wheezes out an anti-narrative: Thou shalt not simplify, classify, categorize.
A Complete Unknown, James Mangold’s biopic focused on the bard’s early career, understands this—and betrays it.



























