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Last summer, Michael Imperiale, a University of Michigan virologist and 10-year member of the National Science Advisory Board for Biosecurity, published an essay on the need to “rethink” some basic research-safety practices in light of the coronavirus pandemic.

A few unspoken subjects hang over the third season of Netflix’s Master of None, as inescapable as air. One is the sidelining of Aziz Ansari’s character, Dev, for reasons that I can only assume relate to Ansari’s desire to be less conspicuous in recent years. Another is the fact that the series, set in New York City and the vague hinterland of “upstate,” was filmed in the U.K., a feint that provoked a sense of inauthenticity I couldn’t shake.

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Over the past five years, Yoslin Amaya would return home most days in the early-morning hours from her night shift as a janitor to her in-laws’ house in Rockville, Maryland, where she lived in a bedroom with her husband and two sons, Andrew and James. Though she was often exhausted, her long days were not over.

In many, many ways, fish of the species Brienomyrus brachyistius do not speak at all like Barack Obama. For starters, they communicate not through a spoken language but through electrical pulses booped out by specialized organs found near the tail. Their vocabulary is also quite unpresidentially poor, with each individual capable of producing just one electric wave—a unique but monotonous signal.

When the Belarusian strongman Alexander Lukashenko plucked a dissident journalist out of the sky, he proved two things: that his 27-year grip on power is unhindered by international isolation, and that, absent meaningful action by the United States and Europe—whose citizens were among the passengers on the hijacked flight—nothing is going to change.That, at least, is how Sviatlana Tsikhanouskaya sees it.