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Maybe it was always building to this: thousands of people singing and dancing to “Macho Man,” some sporting neon safety vests, others in actual trash bags, a symbolic expression of solidarity with their authoritarian hero whose final week on the campaign trail has revolved around the word garbage.

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You might think, given the extreme pronouncements that are regularly voiced by Silicon Valley executives, that AI would be a top issue for Kamala Harris and Donald Trump. Tech titans have insisted that AI will change everything—perhaps the nature of work most of all.

The very last shot of Jesse Eisenberg’s new film, A Real Pain, is identical to its first: a close-up of the tortured, weary face of Benji Kaplan, played by Kieran Culkin with a frenetic intensity familiar from his work on Succession. That his sad eyes remain static despite all he has seen is significant, because this is, ostensibly, a Holocaust film, and everyone is supposed to be changed by the end of a Holocaust film.

This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here.
If I were to assign one book to every American voter this week, it would be Alexei Navalny’s Patriot. Half memoir, half prison diary, it testifies to the brutal treatment of the Russian dissident, who died in a Siberian prison last February. Still, as my colleague Gal Beckerman noted last week in The Atlantic, the writing is surprisingly funny.

Since September 29, when the smell of chlorine first began to waft over metro Atlanta, Georgia residents’ lives have been upended by an enormous chemical fire. That day, a chemical plant containing millions of pounds of pool sanitizer burned to the ground in Conyers, Georgia. The blaze was extinguished in hours, but an enormous plume of orange and black smoke remained for days, so thick that drivers on Interstate 20 struggled to see past their windshield.