An Odyssey for Our Own Time
“A war. A man. A trick. A trick to break the walls of Troy. And burn it—screaming—to the ground.” Christopher Nolan’s The Odyssey opens in the great hall of Ithaca, with a bard singing a hymn about the cunning of Odysseus, the hero of the tale, to the men who have overrun his house—courting his wife, menacing his son—while he is absent. A feast has been turned into a desecration.
The law these men broke was the most sacred in the ancient world: “xenia,” the law of hospitality.





























