This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.We’re all parsing The Speech, Joe Biden’s “Soul of the Nation” address about the growing anti-constitutionalism of Republican extremism. But we should first consider how hard it is to evaluate a speech that no president should have to give.

The principles of classical liberalism that underlie the American political system emerged in an era, the late 17th century, when people were exhausted by violent religious wars. The philosophy that eventually created our democracy was therefore designed to “lower the temperature of politics,” as Francis Fukuyama has recently written, to take issues of existential truth off the table so that people could live in safety.

In Corinne Hoex’s Gentlemen Callers, sex is a dream. The book’s protagonist floats between abstract, ethereal trysts. When she visits a gas-station attendant in her sleep, she is a soapy sponge in his hands. Caressed by a pet groomer, she purrs; she’s his cat. Her liaisons are absurd and illicit—yet, crucially, never dangerous. Gentlemen Callers is not a classic romance novel or a straightforward bodice ripper, Zoë Hu points out.

Reading Paul Gauguin’s fictionalized travelogue, Noa Noa, you’d be forgiven for thinking he’d stumbled upon an artist’s idyll when he arrived in Tahiti in 1891. “All the joys—animal and human—of a free life,” he wrote, “are mine.

Brad DeLong felt confident that the story started in 1870.The polymath economist was writing a book on economic modernity—about how humans transitioned from eking out an existence on our small planet to building a kind of utopia on it—and he saw an inflection point centuries after the emergence of capitalism and decades after the advent of manufacturing at scale. “The Industrial Revolution is good.