‘Post-Victimhood’ Storytelling
In his Surrealist Manifesto of 1924, André Breton wrote, “The marvelous is always beautiful, anything marvelous is beautiful, in fact only the marvelous is beautiful.” That line came to mind when I stood before Mother Nature, a giant canvas depicting a killer whale lifting a naked man into the air, eye level with a flock of gulls. The image was a highlight of “The Bathers,” Chase Hall’s standout debut at the David Kordansky Gallery in Chelsea this fall.


























