This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.Apple’s recently unveiled Vision Pro presents an all-screen future, but generative AI’s growth in recent months has also hinted at ways we might move toward the opposite experience.

Welcome to Up for Debate. Each week, Conor Friedersdorf rounds up timely conversations and solicits reader responses to one thought-provoking question. Later, he publishes some thoughtful replies. Sign up for the newsletter here.Replies have been edited for length and clarity.Last week, I asked readers to make nominations to a hall of fame for song lyrics.

Harvesting wild local produce in Brooklyn’s Prospect Park may not seem like the best idea. And yet, on a foraging tour of the lively public park last month, a straw-hatted forager named “Wildman” Steve Brill and his teenage daughter, Violet, led roughly 40 of us amateurs into the grassy areas beyond the park’s paved footpaths for a four-hour tromp.

“Vision Pro feels familiar, yet it’s entirely new.” That’s how Apple’s CEO, Tim Cook, introduced the company’s new computer goggles at the Apple Worldwide Developers Conference on Monday. The Vision Pro headset, which resembles a glass scuba mask with a fabric head strap, seamlessly blends the real and digital worlds, Cook said. But the product’s name, which could just as easily describe a brand of contact-lens solution, hints at a challenge.

The Mona Lisa is small. Less than three feet tall and about two feet wide, it hangs tiny in the biggest exhibition room at France’s Louvre Museum. And in the past two or so weeks, some vigilante AI artists have decided that it should be bigger—much bigger. They’re making that happen using a beta tool in Adobe Photoshop called “generative fill.

A man approaches his children in a dim room. They’re dipping wands into a dish of soap and blowing bubbles. He smiles and raises a finger to his brow, where a headset rests, covering his eyes. He taps a button to capture a video of the kids playing. He’ll be able to revisit it later on the couch, smiling at the memory, which is saved forever in brilliant 3-D.This scripted scene is part of Apple’s pitch, made earlier today, for the future of personal computers.

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.Mike Pence and Chris Christie are each expected to announce their 2024 presidential candidacy this week. As the Republican primary field continues to grow, so do candidates’ awkward attempts to prove that they’re just regular people.

Late last month, during yet another inexplicable rebranding exercise, HBO’s Max streaming service changed the way it organizes film credits. Rather than separate out discrete production categories for users to peruse, Max’s credits lumped writers and directors together under an ominous header, dubbing them “creators.” The recategorization enraged writers, filmmakers, and the Directors Guild of America. Within a few hours, Max’s parent company, Warner Bros.