The Future of Film Is Behind Us
There’s a scene near the start of Avatar: Fire and Ash that sums up the premise of the franchise, and its approach to making movies: Jake Sully, a colonialist Marine reborn as a blue-skinned freedom fighter, is trying to persuade his wife (also an alien) to accept the human weapons he’s found at the bottom of the ocean. As a proud Pandoran, she won’t touch the cursed technologies of the “sky people.” So instead he starts to strap grenades onto her wooden arrows, Rambo-style.




























