A year ago, I published a piece in the print magazine about that long-standing object of American fascination, the Roman Empire. Usually, and usefully, Americans have over the centuries looked to Rome for guidance on how their nation could avoid the predictable slide from republic to empire to conquest and dissolution. My favorite in this genre is the wonderful 2007 book Are We Rome?, by my friend (and Atlantic colleague) Cullen Murphy.

Every weekday evening, our editors guide you through the biggest stories of the day, help you discover new ideas, and surprise you with moments of delight. Subscribe to get this delivered to your inbox.THE ATLANTICPoems hold power. As my colleague Hannah Giorgis put it: “Whether by conveying the scale of national grief during a pandemic, or exposing the relentlessness of racism, poetry has already created new ways of experiencing, and surviving, life’s darkest chapters.

Over the past six months, it has seemed like every news story is about the coronavirus, or President Donald Trump’s failed response to it. It’s been a challenge for even crucial issues like racial justice and police violence to break into the media agenda for more than a few days at a time.

Who wrote Shakespeare’s plays? A definitive statement of authorship may be hard to come by, but evidence suggests that the bard did not write alone. He co-wrote The Two Noble Kinsmen with his contemporary John Fletcher, and collaborations with actors, playwrights, and others likely informed his other works.

Back to school in Georgia, a raccoon on the mike in California, Highland cattle in Scotland, damage after the explosion in Beirut, a pyrocumulus cloud in California, a bunker shot in England, rafts in a Chinese water park, flooding in Sudan, huge walls in Croatia, cooling in a pool in Spain, and much more.