Laura Bennett is joining the staff of The Atlantic later this month, where she will be a senior editor focusing on The Atlantic’s most ambitious feature writing. She is currently Slate’s editorial director, and was previously the culture editor at Salon and a staff writer for The New Republic.“Laura is an immensely talented and creative editor, with an infectious enthusiasm for magazine journalism.
National political reporter Elaina Plott, who covered the Trump presidency for The Atlantic in 2018 and 2019, is rejoining The Atlantic. Elaina will become a staff writer this summer; she currently covers politics in Washington for The New York Times.“Elaina is one of the finest young magazine journalists in America. We are delighted to welcome her back to The Atlantic,” said Jeffrey Goldberg, The Atlantic’s editor in chief.
In a moment when happiness has felt elusive for many, The Atlantic is giving readers the framework to orient themselves toward joy and build a more meaningful life with its March issue, themed “How to Find Happiness,” and the launch of an immersive, two-and-a-half-day event to be held this spring. The event, titled In Pursuit of Happiness, will be held from May 1-3 in Half Moon Bay, California. Ticketing is now open for a limited in-person audience.
Today Atlantic Brand Partners, The Atlantic’s business services group, is releasing Forces of Influence 2.0, a study into how ongoing cultural unpredictability is affecting consumer perspectives. Most surprising for business leaders: despite industry-wide emphasis to address individual consumer needs, there is still a vast gulf between what consumers expect from brands and their perceived realities.
The Atlantic is launching Famous People, a newsletter by staff writer Kaitlyn Tiffany and writer and creative strategist Lizzie Plaugic. Kaitlyn and Lizzie recap the small parties, dinners, and events they attend with each other and their friends––and nobody famous.Starting today, readers can sign up and read the first edition, where Kaitlyn follows Martha Stewart’s instructions to create a “Russian Buffet for Twenty-Four” from her 1982 book, Entertaining.
The Atlantic is welcoming three new editors to the Culture team as it begins an expansion of Books coverage. Joining The Atlantic are Gal Beckerman as senior editor for Books, coming from The New York Times Book Review; Maya Chung as an associate editor, most recently with The New York Review of Books; and Emma Sarappo as an associate editor, previously the arts editor at Washington City Paper.
Claudine Ebeid, who has spent her career shaping some of the most influential audio journalism and narrative podcasts, is coming to The Atlantic to lead audio as executive producer. The Atlantic is also announcing that Andrea Valdez is taking on a new role as a managing editor in the newsroom, having first joined the company earlier this year as senior vice president of audience strategy.
“If the 20th century was the story of liberal democracy’s progress toward victory over other ideologies—communism, fascism, virulent nationalism—the 21st century is, so far, a story of the reverse.” For The Atlantic’s December cover story, staff writer Anne Applebaum details the dangerous rise of autocratic power around the world.
The Atlantic has released its 2021 “Report on Diversity & Inclusion,” an annual report showing gender and race metrics across the company. The data represent the composition of The Atlantic’s staff as of June 30, 2021, which was the baseline date established with last year’s report. We will continue to run and release this report annually.
The Atlantic is announcing the promotion of Krystle Champagne-Norwood to executive producer of AtlanticLIVE. As the editorial leader of the LIVE team, Champagne-Norwood will develop the editorial vision for The Atlantic’s events and will find new avenues for journalistic expression through this work. She has been with The Atlantic since 2019 and in that time has shaped dozens of its most high-profile events, including the recently completed Atlantic Festival.
Many people assume that local newspapers are dying because they haven’t been able to create a sustainable business model for the digital age, now that Facebook and Google command the advertising space. But that’s only part of the story.
Listen and subscribe: Apple Podcasts | Spotify | Stitcher | Google PodcastsThe irony in loneliness is that we all share in the experience of it. In this episode of How to Build a Happy Life, we sit down to discuss isolated living and Americans’ collective struggle to create a relationship-centric life. As we continue along our journey to happiness, we ask: How can I build my life around people?This episode features Dr. Vivek H. Murthy, the U.S. surgeon general.
Listen & subscribe: Apple Podcasts | Spotify | Stitcher | Pocket CastsIn the first episode of The Review, our Culture staff writers David Sims, Megan Garber, and Sophie Gilbert discuss the unlikely hit that is Ted Lasso. Its Emmy-winning first season—and its smart writing and heartwarming positivity—connected with pandemic audiences.
The Atlantic is expanding its audio portfolio and launching two podcasts this week: How to Build a Happy Life, out today and hosted by the Harvard professor and Atlantic contributing writer Arthur C. Brooks, and The Review, a weekly pop-culture show coming tomorrow featuring a rotating group of The Atlantic’s film, TV, music, and book critics.
Only when we admit we have a problem can we begin to find solutions. In the first episode of How to Build a Happy Life, we explore the neuroscience of emotional management, practices that help us befriend our inner monologue, and challenges to getting in touch with our feelings. Our journey to happier living starts with the question: How do I feel right now?This episode features Dan Harris, former ABC News anchor, meditation expert and founder of Ten Percent Happier.
The Atlantic Festival kicks off today for an expanded seven days of must-attend experiences and conversations on September 22–24 and 27–30––with virtual events happening from Washington, D.C., and streamed to subscribers and audiences around the world.The full schedule has been released for next week’s Ideas Stage, happening September 27–30 from 2 to 4 p.m. ET each day, where The Atlantic will interview some of the country’s most influential voices.
The 2021 Atlantic Festival returns this September for seven days of can’t-miss conversations and immersive experiences. The newly expanded festival will convene bold thinkers and prominent voices from politics, business, science, technology, and culture. Join us as we explore ideas for building a better future—and a better America.
Today The Atlantic is publishing a collection of stories, poetry, and photography that serves as a recognition, a celebration, and a reclamation of the Black body. “What the Body Holds” is the third chapter of “Inheritance,” The Atlantic’s ongoing reporting project to fill the blank pages of Black history: to piece together, through reporting and data, the crucial events and conversations that have been intentionally left out of America’s story.
The Atlantic is announcing a collaboration with NBCUniversal News Group to be the exclusive media partner of The Atlantic Festival, its annual live event gathering the most influential voices on the ideas shaping a changing nation. The Atlantic Festival is happening virtually from September 22–24 and September 27–30, and for the second year all events are free to attend. Audience registration is here.
The Atlantic has hired Roye Segal to lead Atlantic Re:think, Publisher and Chief Revenue Officer Hayley Romer announced today. Segal joins The Atlantic to head the award-winning creative studio, which is part of Atlantic Brand Partners, an interdisciplinary collective within The Atlantic that offers brands an integrated experience across platforms. Segal was most recently at NBCUniversal, where he was senior creative director.
The Atlantic’s paid readership jumped by more than 280,000 in the last 12 months, according to the latest circulation statement filed with the Alliance for Audited Media (AAM). On that statement, which covers the first half of 2021, The Atlantic is reporting a total circulation of 833,410. This represents print and digital subscribers and newsstand sales, and is—by far—the highest circulation that The Atlantic has achieved across its 164-year history.
The Atlantic Festival returns this September 22–24 and 27–30 for an expanded seven days of must-attend experiences and conversations––with virtual events happening live from Washington, D.C., and streamed to subscribers and audiences around the world. For the second year, The Atlantic is making all festival events free to access, and offering special benefits for subscribers. Ticketing is now open. Press should RSVP to press@theatlantic.com.
Today, The Atlantic launches America In Person, a new section dedicated to exploring the complexity and multidimensionality of American identity. “The Atlantic has long been preoccupied by pluralism and the American idea, so it’s only natural for us to explore in a dedicated way what it means to be American,” said Jeffrey Goldberg, The Atlantic’s editor in chief.