It was 2018, and the world as we knew it—or rather, how we knew it—teetered on a precipice. Against a rising drone of misinformation, The New York Times, the BBC, Good Morning America, and just about everyone else sounded the alarm over a new strain of fake but highly realistic videos. Using artificial intelligence, bad actors could manipulate someone’s voice and face in recorded footage almost like a virtual puppet and pass the product off as real.
For years, fears about the disruptive potential of automation and artificial intelligence have centered on repetitive labor: Perhaps machines could replace humans who do secretarial work, accounting, burger-flipping. Doctors, software engineers, authors—any job that requires creative intelligence—seemed safe. But the past few months have turned those narratives on their head.
Judging by the titles of bills they propose, members of Congress occupy a space between used-car salesperson and poet.
Since President Joe Biden signed the Inflation Reduction Act into law in August, the first major climate legislation in U.S. history has been smothered with praise: Journalists and climate experts have suggested that the IRA will “save civilization” and herald “an unstoppable transition.
Editor’s Note: This article is part of our coverage of The Atlantic Festival. Learn more and watch festival sessions here.
Earlier this year, the technology company OpenAI released a program called DALL-E 2, which uses artificial intelligence to transform text into visual art. People enter prompts (“plasticine nerd working on a 1980s computer”) and the software returns images that showcase humanlike vision and execution, veer into the bizarre, and might even tease creativity.
Editor’s Note: This article is part of our coverage of The Atlantic Festival. Learn more and watch festival sessions here.
Earlier this year, the technology company OpenAI released a program called DALL-E 2, which uses artificial intelligence to transform text into visual art. People enter prompts (“plasticine nerd working on a 1980s computer”) and the software returns images that showcase humanlike vision and execution, veer into the bizarre, and might even tease creativity.
It was as if a bottom seed had knocked out the top team in March Madness: At the Sinquefield Cup chess tournament in St. Louis earlier this month, an upstart American teenager named Hans Niemann snapped the 53-game unbeaten streak of world champion Magnus Carlsen, perhaps the game’s best player of all time. But the real uproar came the following day, when Carlsen posted a cryptic tweet announcing his withdrawal that included a meme video stating, “If I speak I am in big trouble.