When a Film’s Message Doesn’t Match Its Spectacle
Every Edgar Wright film to date has been a bubbling cauldron of movie homages, winking visual gags, and genre tributes. The British director emerged as a noteworthy filmmaker in 2004 with Shaun of the Dead, a “rom-zom-com” that chucked classic George A. Romero–style zombie movies in a blender with a comedy about a man-child who just needed to grow up.