Photographs by Edward Burtynsky
The Canadian photographer Edward Burtynsky has built a career documenting what he calls “altered landscapes”—tangled highway overpasses, sprawling oil refineries, mountainsides pockmarked by human exploitation. In 1999, he visited a tire-disposal site outside Modesto, California. It was surreal, he told me, almost sublime.
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At the close of his RNC speech accepting his party’s nomination for vice president in July, then-Senator J. D. Vance lingered on the specific patch of earth where he hoped he would one day be buried.
Photographs by Bryan Schutmaat
Drive far enough into Texas from the Louisiana border, and you’ll see the ground dry, the earth crumble into dust. Eventually, the photographer Bryan Schutmaat told me, the strip malls fade into the rearview mirror, the landscape opens, and the American West begins.
Schutmaat has long been fascinated by the West; as he toured with punk bands in his teens and early 20s, he felt himself drawn to the region and its open space.
From the graveled bend on Drew Ruleville Road, the barn is barely visible. A knot of trees obscures its weathered cypress panels; a driver could easily miss the structure from across the bayou. There is no indication that this is the place where Emmett Till was beaten and tortured.That is about to change. In the September 2021 issue of The Atlantic, Wright Thompson reflected on the barn’s history and what its erasure says about how Mississippi remembers the lynching of Emmett Till.
Updated at 3:06 p.m. ET on November 28, 2023Last Thursday, C. J. Rice celebrated his 30th birthday at State Correctional Institution–Chester, a Pennsylvania prison just southwest of Philadelphia. Rice has been incarcerated since he was 17, when he was charged with a crime he insists he didn’t commit. But because of a decision yesterday in federal court, he may be free by the time he turns 31. Such an outcome is exceedingly rare in cases like Rice’s.
A stomach-twisting thrill animates the Taken movies. As bullets fly across each progressively more ridiculous sequel, Liam Neeson kicks down the door to the pantheon of cultural Super Dads and asserts himself as its king.
To insist, as the journalist John Gunther did, that Death Be Not Proud deserved to be published was to insist that the boy it memorialized deserved to be remembered, not only by his family but by the world. As his 17-year-old son, Johnny, died of cancer, Gunther drafted a candid portrait of his grief. When it was published, in 1949, his level of disclosure was still considered uncouth, and Gunther knew it.
Photographs by Maureen DrennanA sign in the entrance of the Michael A. Rawley Jr. American Legion Post advertises the space as “members only,” but the Brooklyn-based photographer Maureen Drennan has warned me in advance to ignore it. Drennan has often entered these establishments unannounced: Since 2018, she’s photographed American Legion and Veterans of Foreign Wars posts across the northeastern United States, drawn in by what she calls their “lonely poetry.